Clare Judith Lubell

What’s your story?

I’ve been a painter most of my life. Around ten years ago, my paintings became more and more focused on geometric shapes and patterns, reminiscent of handwoven textiles and patchwork quilts. As a result, I naturally became interested in textiles.

I built myself a simple frame loom and quickly progressed to an old four-shaft jack loom. It was thrilling to stumble upon this new (to me) medium that fit my creative vision so well and was so full of possibility.

Weaving appeals to my love of problem-solving, geometric structure and order. I’m also fascinated by the history of textiles. I’m particularly interested in the central role of women in textile production throughout history, the unequal distribution of power and profit in the textile industry, the ongoing fight for textile workers rights, and the current glut of cheap cloth, and excessive textile waste. Weaving can’t be separated from this rich and complicated history, which makes it an incredibly powerful creative medium.

In the last few years, my creative practice has been transformed by motherhood. Having a child has taught me to work within constantly evolving limitations, and has challenged me to keep working, and keep caring, in the face of sometimes overwhelming uncertainty. We’ve just reached the point where my kid actually wants to make art with me, which adds a dash of delightful unpredictability in the studio.

What are your values?

As an artist, I’m interested in exploring the tension between structure and uncertainty, order and disorder. I like to combine precise, structured weaving techniques with unpredictable and dynamic methods and materials. This creates a single finished piece that is both intentional and improvised, wild and orderly.

I try to be thoughtful. I try to respect my materials and the environment by using what I have on hand and minimizing waste. I try to stretch myself, to question my habits and assumptions, and to use my limitations as a source of inspiration rather than a hindrance. And I try to be kind. Working within the theme of uncertainty and tension can be uncomfortable, and even painful, so I don’t feel the need to make work that is abrasive or shocking. I think the world is abrasive and shocking enough as it is. I hope that my work provides peace and comfort.

Tell us about your work:

I make textile art and functional textiles, such as scarves and towels. I tend to swing back and forth between the two over time. A few months ago, I was only interested in weaving linen kitchen towels and rag rugs. Now I’m working on a painted, hand-pieced patchwork wall hanging.

I like the idea of art as a part of daily life. Of course we should take good care of our textiles, but I don't see why we should treat handwoven items as precious and untouchable. I really like the idea of making cloth with all the intention and thoughtfulness of making art...and then sleeping under it, or using it to wipe up the kitchen counter.

Are you open to custom work or collaborations?

I am open to custom work and collaborations.

I also offer public, interactive weaving installations. Teaching people one-on-one and collaborating with a variety of participants is a wonderful way to balance my usually solitary studio practice. I believe art should be accessible to everyone.

Where can we learn more about you and your work?

Website: www.clarejudith.com | Instagram: @clare_judith_